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A Good Story Kick the Latch - Kathryn Scanlan
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Kick the Latch - Kathryn Scanlan

£9.99

Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack – the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the ‘particular language’ of ‘grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody’ – with economy and integrity.

Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff’s Testimony. Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.

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Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack – the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the ‘particular language’ of ‘grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody’ – with economy and integrity.

Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff’s Testimony. Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.

Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack – the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the ‘particular language’ of ‘grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody’ – with economy and integrity.

Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff’s Testimony. Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.

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